"Cox's splintered narrative, polished to an incisive gloss, bristles with both mischief and menace, and any of its short, titled chapters could stand alone. References to Pink Floyd, Polish pope John Paul II, and an unquenchable anger course from the first page to the last — a pointillistic poisoned pill." —Publishers Weekly
"Cox proves himself to be a master of rebellion, a troubadour of transgression." —Gay People's Chronicle
"Cox erases taboo and delineation at every turn.... The result is a volatile book that, while mostly contained and controlled, spills over the edges to create a meta-literary experience. Like fire, Cox’s novel illuminates---and singes." —EDGE Publications
"Author Cox employs terse, effective prose to reveal the consciousness of his characters and the time in which they live. His ability to create an entire world view and a sense of place – in few pages – is exceptional. In this respect, his style recalls that of another talented gay writer, Jeanette Winterson." —Bay Area Reporter
Description:
From Publishers Weekly
In repressive Poland in 2005, gay artist Radek vents his considerable frustration with small acts of rebellion (like setting fires) and with a street game called parkour, in which players race around the city leaping over obstacles. His sex life is skittish (he does it with his clothes on), and at his gallery show his popsicle-stick maquette of Chicago circa 1871 causes a sensation when he lights it to recreate the city's famous fire. This bit of performance art brings out burly firefighters and an unlikely kindred soul, Dorota, an artist and professor, who invites him to her class, where his rough treatment of the students pleases her, surprisingly. They become partners in crime, literally and figuratively. But his intense connection with a woman does not sit well with some of his gay activist friends. Cox's (Shuck) splintered narrative, polished to an incisive gloss, bristles with both mischief and menace, and any of its short, titled chapters could stand alone. References to Pink Floyd, Polish pope John Paul II, and an unquenchable anger course from the first page to the last--a pointillistic poisoned pill.
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Review
"Cox's splintered narrative, polished to an incisive gloss, bristles with both mischief and menace, and any of its short, titled chapters could stand alone. References to Pink Floyd, Polish pope John Paul II, and an unquenchable anger course from the first page to the last — a pointillistic poisoned pill."
—Publishers Weekly
"Cox proves himself to be a master of rebellion, a troubadour of transgression."
—Gay People's Chronicle
"Cox erases taboo and delineation at every turn.... The result is a volatile book that, while mostly contained and controlled, spills over the edges to create a meta-literary experience. Like fire, Cox’s novel illuminates---and singes."
—EDGE Publications
"Author Cox employs terse, effective prose to reveal the consciousness of his characters and the time in which they live. His ability to create an entire world view and a sense of place – in few pages – is exceptional. In this respect, his style recalls that of another talented gay writer, Jeanette Winterson."
—Bay Area Reporter